VISIBLE AND TANGIBLE WORKS
BLUE EARS (2023) was made for Get Well Soon, which showed at Ormston House in Limerick, Ireland
The sound work questions the aggressiveness needed to bring collective wellbeing, quoting a speech by a known Hamas leader with abrasive tones intervening, shaking the metal and the clay ears and classic wellbeing items like painkillers and bandages.
Ceramic, sonic transducers, aluminium alloy, cement blocks
AUDIO
Sharjah Biennial 16: What’s Left? AKA Dialecthiccc (2025)
CALL THE WAVES at Chapter Gallery: STELLAR FOOTPRINTS (2022)
Royal College of Art: EMBODIED KNOWLEDGE (2024)
Tate Modern: Waterways Sypmosium (2024)
IN THE EDDY OF THE STREAM (RBGE): Cooking Sections and Sakiya’s Sonic Faza3a (2022)
BLUE EARS (2023) was made for Get Well Soon, which showed at Ormston House in Limerick, Ireland
The sound work questions the aggressiveness needed to bring collective wellbeing, quoting a speech by a known Hamas leader with abrasive tones intervening, shaking the metal and the clay ears and classic wellbeing items like painkillers and bandages.
Ceramic, sonic transducers, aluminium alloy, cement blocks
AUDIO